Broadway: Rock ‘n’ Roll (Broadway, dir. Trevor Nunn,) New York: Eurydice (Second Stage, dir. Les Waters,) They Have Sex and Get Pregnant and Die (Dutch Kills,) Empire Travel Agency (Woodshed Collective,) Dead Black Temp (The Representatives,) As You Like It (Theaterlab,) Dog Eat Dog (Ars Nova,) Exit Carolyn (The Drilling Company,) Too Much Too Soon (Theater for the New City,) Theater for One (True Love Productions,) Too Little Too Late (HERE Arts Center,) Nurse Nora Menorah Saves Christmas (The New Ohio,) Take Ten (59E59.) Regional: The Miracle Worker (Syracuse Stage,) Tigers Be Still (Public Theatre,) Mary’s Wedding (Weston Playhouse,) Poetic License (New Jersey Repertory), Confluence (Guthrie,) and Iphigenia and Other Daughters (Santa Fe Theater Festival). A lover of new work, Anna has participated in copious readings and workshops with Playwrights Realm, Soho Rep, the Lark, New Dramatists, Pipeline, the William Inge Festival, Sundance, Playwrights Horizons, PlayPenn, Seven Devils, NYTW, Barrow Group, Tectonic, P73 and the Southampton Writers Conference, among others. Anna is an ensemble member and Literary Manager of Lesser America, as well as a company member of Morgan Gould & Friends and a frequent collaborator with The Representatives. Film/New Media: Funny Bunny; Beddy Tear; Worry Dolls; The Last Great American Webseries; Winter is my Season; Crickets; Bait; Compulsive Love; Stochasticity; FOMO. A sometime playwright, her work has been developed and produced in New York, New Orleans, Minneapolis, and New Mexico. She is a graduate of the Juilliard School.